Mouths Find Freedom In Big Megaphone

by Anne Kadet

Crossing Foley Square, passersby can’t help but notice a 15-foot, candy- red megaphone aimed at the nearby government buildings. It is an art installation, of course, a statement about the expressive power of the individual. On a recent Saturday afternoon, Lucy Ryan, 7, made her way up the ramp to the mouth of the megaphone. Taking a deep breath, she stood on her tiptoes and shouted to the world: “Mommy! Let’s go home!”

Her mother, Gina Ryan, stood underneath, squinting up at the sculpture as her son, 4-year-old Aidan, took his own turn: “You’re fired!” he yelled into the megaphone. And then, inexplicably, “You’re going to jail for a hundred million billion years! Until you die!”

Aidan Ryan takes his turn last month at the Freedom of Expression National Monument in Foley Square. “You’re fired!” he yelled into the megaphone.

The sculpture, called Freedom of _Expression National Monument, is the work of Erika Rothenberg. On display through Nov. 13, it was commissioned by Creative Time, which said in a statement that the megaphone provides “a forum for dialogue on the dynamics of free speech, power and powerlessness, and a multiplicity of social and cultural concerns.”

William Quinn, a 15-year-old Staten Islander, was the first speaker of the afternoon to use the platform for protest, though it was of a rather general nature: “Noooooooo,” he bellowed into the megaphone. He stopped, seemed to consider his statement, and then reapplied himself: “Noooooooooooooooooo.” Gaining momentum, he shouted, “Save me Stewart!” Quinn later indicated that there was no such person as Stewart.

“I just said that ’cuz my mom was watching, and I can’t

say bad things,” he explained. Asked to clarify, he gave a scornful look. “You know,” he said, “R-rated things.”

But another teenager, Chris Petroncio, who sped over to the megaphone on his skateboard, had no parents nearby to quash his first amendment rights. “Bitches and Hos!” he shouted. This made him laugh for a long time, and so he yelled it again, and again, and again.

Growing bored, he ran down the platform, clambered up the face of the sculpture and crawled right into the megaphone, where he sat, cross-legged, looking over the square. His skateboarding companions lit cigarettes and regarded him from below. “He’s an idiot,” said one.

A family of Japanese tourists took turns peering through the mouth of the megaphone at its new occupant.

Matt Finnell, visiting from Desert Hot Springs, Calif., took the megaphone, raised his hands and announced, “I am not a crook!” Another out-of-towner, Gregory Bondillo, from upstate New York, proclaimed his travel plans: “I am leaving this godforsaken country for Istanbul,” he shouted. Approached by a reporter, he grew worried. “I’m not really going because this country’s godforsaken,” he hastily explained. “I’m going to teach English. I was just being goofy. I really don’t think it’s godforsaken!”

The afternoon’s only political speaker was Jeff Simmons, who swaggered up the platform and shouted, “Hello everybody! We should have peace in this world! Like that, right? No more war!” He peered across the street. “Is anybody listening out there?” In the distance, mothers plodded by with strollers, cops patrolled the courthouse steps, hot dog vendors leaned against their carts.

“Ah, nobody listening,” Simmons said. He turned and strolled back down to the street. “I got to go.”