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He suspects it is a symbol meant to conjure up the notion of the
unity of opposites, like the yin and yang, or a geometric representation
of Christ as the philosopher stone. And he believes it is the work
of the celebrated American architect Ithiel Town. Town's New York
City handiwork includes Federal Hall, where, Solomon notes, similar
pyramidal shapes can be found on the marble floor. But the more
telling clues, he said, are the geometric exercises painted in the
background of a portrait of the architect that hangs in a church
in New Haven, Conn.
"This same geometry has turned up in his documents," Solomon
said of Town. "He seemed to have a taste for this sort of stuff."
The brickwork-a 10-foot-tall stack of three triangles, the center
one being the largest-was uncovered at 211 Pearl St. in 2001 as
the building's interior was demolished to make way for a parking
garage. The triangles were built into the wall when the Greek Revivalist-style
building was constructed in 1832. Solomon, an amateur historical
slueth, was hired to research the building's history in a failed
effort to save it from the wrecking ball. Now what is left is the
building's facade and that symbol on an interior wall, which Solomon
believes is significant and should be preserved.
But there is no proof that Town was the building's architect. Nor
is there proof that William Colgate, the soap magnate who commissioned
the building as a counting house in 1832, ever saw the symbol. It
was covered with wall plaster.
Located just 10 feet from the mouth of the garage, it would be visible
from the street if not for the sheet of plywood mounted over the
top. Solomon fears that the plywood only serves to hide the symbol
until the developer, Rockrose, has it removed altogether. Rockrose
did not return messages left by the Trib.
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