Hotel Design Is Praised and Approved

by Barry Owens

The commissioners' comments were effusive, the vote unanimous, and architect David Rockwell pronounced himself "pleased, very pleased" as he walked out of the Landmarks Preservation Commission (LPC) chambers last month. The architect had just won approval from the commission to tack another story onto his design for an upscale hotel in Tribeca.
Rendering of Downtown Hotel, to be at North Moore and Greenwich Streets. Photo: Rockwell Group/Allan Tannenbaum-The Tribeca Trib

"It's clear. It's strong. It's better," gushed commissioner Richard Olcott. "Adding a floor improves the building. It's a very handsome addition."


It was quite a turnaround for Rockwell.

In September his team had run afoul of the commission and Community Board 1 when he requested approval for "minor changes" to the plan that would have added two stories to the six-story hotel planned for the corner of Greenwich and North Moore Streets. He had further rankled the community board by skirting their input on those revisions, which ultimately were not approved by the LPC.


But last month, Rockwell and his clients courted the board in style. Hoping this time for approval of a plan that includes only a one-story addition, the architect and his team presented to Community Board 1's Landmarks Committee watercolor renderings, a model of the neighborhood with a detailed miniature version of the boutique hotel, a full-sized mock-up of the wooden shutters planned for the building and, for good measure, Robert De Niro. The actor, along with partners Ira Drukier and Richard Born, has hopes of making the hotel a destination for long-term guests, particularly those in the film industry.

The hotel is planned for a vacant lot at 377-383 Greenwich St. and will be next door to De Niro's Tribeca Grill and the headquarters of his Tribeca Film Center.

"It is hard to go against the person who laid the foundation for landmarks preservation in this neighborhood," noted CB1's Landmarks Committee chairman, Bruce Ehrmann, with De Niro present in the room.

"That's my whole point," the actor said, laughing.

Still, the board in its resolution expressed concern over the building's proposed height of 96 feet, with the additional story adding 8,500 square feet of bulk.

In speaking before the LPC at its hearing on Nov. 23, CB1 district manager Paul Goldstein called the design a "marked improvement" over previous submissions, but said the building would be "more appropriate and more in context if it were compliant of the zoning."

Partners Ira Drukier, left and Robert De Niro, right, with architect David Rockwell. Photo: Allan Tannenbaum

The Downtown Hotel group, lead by De Niro, will have to apply for a bulk variance from the city's Board of Standards and Appeals before the project can move forward.

The $43 million hotel would be funded with the help of $38.9 million in tax-free Liberty Bonds.

"I'm not in the hotel business," De Niro told the LPC commissioners. "I'm doing this because I want to make something special for the neighborhood. I feel like, aesthetically, I've only thought about the good of the neighborhood, even when that has meant paying for some of the aesthetics myself."

So far, those extra details have been the difference in gaining community and city approval for the latest version of the project.

Among the building's features are three-story skylights, bold brickwork, depressed windows with wooden shutters and ornamental manhole covers dotting the façade along the top story.

"Watching it emerge has been very rewarding," said LPC commissioner Roberta Brand Gratz. "The rich detail in the brickwork, both subtle and dramatic, is rarely done in a new building. And I'm very comfortable with the skylights that announce quite dramatically the best of the old with a sense of the here and now."

Commissioner Thomas Pike said the building was likely to one day be a landmark in its own right.

All and all, it was a good day for the Downtown Hotel group, perhaps best expressed in the sigh from the group's attorney, Irving Gotbaum, as he made for the elevators.

"It was nice to finally hear some good comments," he said.